This advertising trade card depicts China being "carried" by the United States and England.
MEDIA CONTACT: Heather King, 515-271-1994, email@example.com
Drake University's Anderson Gallery will open the fall season with an exhibition of hundreds of 19th century advertising trade cards that feature images of Chinese people or motifs.
"America Imagines Chinese: 19th Century Advertising Trade Cards and the American Imagination" opens Friday, Sept. 5, and continues through Oct. 17. The opening reception will take place from 5 to 7 p.m. Sept. 5 in the Anderson Gallery at the Harmon Fine Arts Center, 25th Street and Carpenter Avenue.
Lenore Metrick-Chen, Drake assistant professor of art history, will conduct a gallery walk at 6 p.m. All of the 274 advertising trade cards in the exhibition are from Metrick-Chen's personal collection.
In conjunction with the exhibit, Drake will host a free public forum on "Race and Ethnicity in Public Discourse" at 7 p.m. Tuesday, Sept. 9, in the Performing Arts Hall of the Harmon Fine Arts Center. The gallery will be open one hour before the forum starts for those who wish to view the "America Imagines Chinese" exhibit.
Speakers at the forum will include Rudy Simms Jr., director of the Des Moines Human Rights Commission; Judith Allen, Drake associate professor of psychology; and Sandra Patton-Imani, Drake associate professor of American studies.
Trade cards as the dominant form of advertising
Advertising trade cards, which measured approximately 2-by-6 inches, were introduced in America in the mid-19th century. By 1876, they circulated widely and were becoming the dominant method of advertising. The trade cards -- given away free in stores and on the street -- announced every new product and innovation in miniature, full-color pictures.
Metrick-Chen said the chromolithography technique was nicknamed "democratic art" because it allowed everyone to be able to own usually expensive colorful images.
She has been collecting the cards for eight years since becoming interested while researching her Ph.D. dissertation, "Collecting Objects, Excluding People - Chinese Subjects and the American Art Discourse, 1870-1900."
"At first, I hadn't thought of using advertising or drawings for my dissertation," said Metrick-Chen, who earned her Ph.D. in art history at the University of Chicago. "But after some thought, I realized they were very interesting because the U.S. was barring Chinese people from immigrating to the States and at the same time, using them in advertisements."
Cards proved popular during ban on Chinese immigration
The popularity of the cards occurred during the same period as America’s first Chinese Exclusion Laws banning Chinese immigration. Because of this prohibition, few Americans in the Eastern states had direct contact with Chinese people. Nevertheless, hundreds of trade card images for domestic and international products depicted Chinese figures and the Chinese image that became a familiar -- though not altogether positive -- icon.
The trade card’s iconography had less to do with the product advertised than its place in the new visual language emerging with America’s transformation from a rural agricultural economy to an urban manufacturing one. Both directly and indirectly, the imagery reflects social and cultural issues arising during this tumultuous period of American modernization.
One card, for example, shows the West "carrying" China -- literally on a box of laundry whitener and figuratively within the world economy. "Inequality is implicit in the imagery," Metrick-Chen said.
The reception and exhibition are free and open to the public. Gallery hours are noon to 4 p.m. Tuesday through Sunday. For more information, contact Heather King at 515-271-1994 or firstname.lastname@example.org.